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A portrait long considered a copy after Dürer, confirmed as authentic by a historian

A portrait long considered a copy after Dürer, confirmed as authentic by a historian

“Portrait of Dürer's Father at 70”. Photo source: The Picture Art Collection / Alamy / Profimedia

A portrait long considered a copy of an Albrecht Dürer creation, kept at the National Gallery in London, has been confirmed as authentic by historian Christof Metzger.

Portrait of Dürer's Father at 70″, as it is titled, is dated 1497. The painting is considered a copy because of the “unusual technique” in which it was created. Metzger makes his case in a new book that explores the work of the German Renaissance painter in depth.

Albrecht Dürer's portrait of his father has been in the collection of the National Gallery in London for over a century. “Simply put: it is of exceptional artistic and technical quality and shows no sign of being a copy,” Christof Metzger, chief curator of the Albertina Vienna and lead author of “Albrecht Dürer. The Complete Paintings. Selected Drawings and Prints,” told artnews.com.

Read more on Curatorial.ro.

Ashley Davis

I’m Ashley Davis as an editor, I’m committed to upholding the highest standards of integrity and accuracy in every piece we publish. My work is driven by curiosity, a passion for truth, and a belief that journalism plays a crucial role in shaping public discourse. I strive to tell stories that not only inform but also inspire action and conversation.

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